Anything you can imagine is probably true, and the worst you can imagine is probably worth money.
— Will Christopher Baer
Don’t know if everybody’s been keeping up, but over at Popmatters Marco Lanzagorta (of the never uncool “Dread Reckoning”) has been doing a Night of the Living Dead fortieth anniversay essay collection the last five days. Some ridiculously cool stuff, including a little intro from Romero. Anyway, got a piece up there today, as a […]
Which really isn’t that many, I know. I mean, I used to love cueing up the whole STAR TREK series, watching them back to back. Anyway, all over the spectrum here: SYNECHDOCHE, NEW YORK. Free screening with Charlie Kaufman there for the Q&A. Which was great. Or, great if you like watching somebody writhe under a […]
Texas Monthly’s been doing this serial novel, TWIN WELLS. I’ve got chapter 11. Podcast too. Here. First line: “Baldwin wished he could have mustered a bit more surprise when the dead man rose from the road in the sheriff’s headlights.” New interview up at Rain Taxi. And a third link too: I’m on Facebook now, […]
That sounds like some secret cousin to the incubus, yeah? If I’m even spelling it right. Anyway, was digging through some old stuff yesterday and found this sheet of paper from 1997, when I was finishing Fast Red Road, trying to make it all straight in my head (somewhat). Think the only other novel I’ve […]
One of my better memories is working for this seed research company fifteen years or so ago. Way out north of Lubbock, TX. There was this guy called Rooster who ran a lot of cotton and sorghum out there, fields which were all on the way to the plots we worked every day. Rooster was […]
The western may be one of the few if not only genres where character development is actually at crosspurposes with audience expectations. We don’t want the passing-through cowpoke/gunhand/lawman/whatever to actually change, do we? Isn’t it all better if they stay the same? Granted, maybe a more intense version of themselves, of the self they’re trying […]
It’s by Roger Ebert, in his review for Nights in Rodanthe: “Paul doesn’t evacuate because of some dialogue he is made to say.” I don’t see how I could love anything more than that. It’s even better in context, too. And, as for why I was reading about Nights in Rodanthe. No idea. I was […]
