Which is a slasher I wrote . . . two years ago? I’d just reread The Virgin Suicides, and thought, Man, that was cool, sure—along with American Psycho, maybe the book of the nineties—but, wouldn’t it be cooler if that royal first-person delivery could be used to deliver something with a lot of people dying in gruesome ways? So: Lake Access Only. Which turned out cool. At least, I verymuch dig it. Yet to sub it anywhere, though, as it’s a weird one. Also? I may dig into it this summer, see if I can make it work as a screenplay instead. Which’ll require just completely ripping its innards out, and putting completely different innards in. But that’s how adapting goes. Anyway, LAO, its kind of central . . . I want to say ‘secret,’ but it’s more of a reveal, which of course the slasher is special-made to deliver right at the end. That reveal in LAO, I just found it on the shelf at Goodwill. Which is to say, had I found this sunglasses case before writing LAO, I probably wouldn’t have written it, as it was already in the world, and things that are already in the world aren’t really worth writing about.