SGJ Bio & Author Photos


So, if you need a bio from me, here’s the basic one, which I’ll try to keep updated. Can’t seem to get the titles to go properly italics, but surely you can fix that:

Stephen Graham Jones is the author of sixteen novels and six story collections. Most recent is the werewolf novel Mongrels, from William Morrow. Next are the comic book My Hero, from Hex Publishers, and Mapping the Interior, from Tor. Stephen lives and teaches in Boulder, Colorado.

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All the Pretty Hominids

Back when The Fast Red Road wasn’t called that—this is late 1997, early 1998—the way I intended to write it was as a series of long answering machine messages left in this one guy’s trailer while he’s off gallivanting around with a carnival or something (he’s got pet jackals—this is the kind cool stuff you think of, first novel out, that you then don’t get to use until, say, you write a novel about a bunnyheaded zombie coyote/smuggler/father). The guy on the answering machine was supposed to be this guy named Golius, a thinly-veiled Vizenor character, monologging on and on about, you guessed it: hominids. Each message was going to be a different theory about why our primate selves finally stood up. And these messages were going to matter so, so much to Golius, like, they’re the tether just barely keeping him attached to the surface of the planet. They’re not so important to the guy listening. To the guy standing there deleting them.

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Years back, somewhere around 1997, I’d guess, I asked Janet Burroway, my dissertation director, for her advice on embarking on this whole writing thing. Janet’s answer was pretty much exactly this, from King—don’t wall yourself off from your family in order to write. Rather, write in the middle of them all.

[ original page/image is here ]

Over the years, I’ve gotten a lot of great advice, but none’s finally been as important as what Janet Burroway told me twenty years ago. It’s not about lining a shelf, it’s about building a life.

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The Horror (office)

Just noticing that the old pano of my office at Cutbank, it’s out of date—I’ve gone standing-desk. But there’s some Q&A there, still, that’s not here.

Anyway, to update, with TWO panoramics, as I can’t seem to spin slow/fast enough to do it with just one:

Yeah, I think I suck at keeping the phone at the same level/height. So it goes.

But that’s me standing over in the middle. Here’s what I usually see, rice bars and basketballs and Chris Ware and all:

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The Horror (Study)

Which is to say: where I write. Well, where I write when I’m writing in my study. Where I write when I’m writing in my office (on campus) is here.

But, this is home. The door of it, anyway:

And this is me standing in the middle of it all, trying to go as fast/slow as the arrow on my phone tells me. And, yes, there’s four five (just saw another) Waylon things in this pano:

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