Author: SGJ

Feel like I’m posting this too early, as I might get blown away by some movie X over the next five days. But I’ve got ten minutes right now, can get these down and in order, I think—with the caveat that I’ve yet to see Hounds of Love or Raw or Prevenge or Super Dark Times or Boys in the Trees, all of which I’m fairly certain would place in this list. Thing is? I would have had time and mind to cue all those up, except this past couple of months I’ve been burni…

Hey, the audiobook of Mongrels is in Audible’s 2-for-1 sale for the next few days, looks like:

Click here for it

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Stephen Graham Jones: The Animal Just Under The Skin

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Story called “Alis” in the obvious one, and a story about this demon Asmodeus in the other:

And, a certain homo naledi story off mine lucked into this:

https://featuredfutures.wordpress.com/2017/12/10/webs-best-science-fiction-1-2017-stories/

And, here’s a cool write-up of “Universal Horror”:

https://nicklasalla.blogspot.com/2017/12/its-at-the-front-door-review-of-universal-horror-stephen-graham-jones.ht…

I mean, first, yeah, loved it, clapped at the end, c’mon: of course.  Best part? All the younguns in the audience laughing and talking to the screen. New hope indeed.

Second, couple of good links:

• http://terribleminds.com/ramble/2017/12/18/the-last-jedi-a-mirror-slowly-cracking/
• https://theconcourse.deadspin.com/a-list-of-some-of-the-times-the-last-jedi-told-the-olde-1821396631?

You can maybe tell which book this one’s on, over at Unnerving:

http://www.unnervingmagazine.com/single-post/2017/12/06/Review-of-Last-Final-Girl-by-Stephen-Graham-Jones  

And then here’s a twofer over at Transmotion, for which Theo Van Alst and Billy J. Stratton actually deserve the credit:

https://journals.kent.ac.uk/index.php/transmotion/article/view/434/1144

Speaking of them/Transmotion, this is in that same issue: …

New interview up:

https://superstitionreview.asu.edu/issue20/interviews/stephenjones…

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Check it out:

So cool. I mean, I know: my critical faculties are supposed to be rendered helpless from the surprise of seeing the yellow book drawn like this, but? That’s not why I like this comic book. Why I like this comic book is that it’s good comic-booking. Pablo D’Stair knows the medium, knows the mode, and, even better—even rarer—the dude can draw. I knew he could write, and I suspect he can do about eighty other things as well (if our minds are hamsters on …