Don’t know if everybody’s been keeping up, but over at Popmatters Marco Lanzagorta (of the never uncool “Dread Reckoning“) has been doing a Night of the Living Dead fortieth anniversay essay collection the last five days. Some ridiculously cool stuff, including a little intro from Romero. Anyway, got a piece up there today, as a Happy Halloween trick. Title / link: “The Kind of Murder Happy Characters We Have Here.” About, um, you guessed it: zombies. Too, the illustration they gave me’s so cool, so perfect. Would nab it, paste it up here, but you need to get yourself over to Popmatters, just see it all.
Category Archives: news
Texas Monthly‘s been doing this serial novel, TWIN WELLS. I’ve got chapter 11. Podcast too. Here. First line: “Baldwin wished he could have mustered a bit more surprise when the dead man rose from the road in the sheriff’s headlights.”
New interview up at Rain Taxi.
And a third link too: I’m on Facebook now, finally. Been getting the invites forever, never clicked all the way through until now. This could be the link. Maybe?
It’s by Roger Ebert, in his review for Nights in Rodanthe: “Paul doesn’t evacuate because of some dialogue he is made to say.” I don’t see how I could love anything more than that. It’s even better in context, too. And, as for why I was reading about Nights in Rodanthe. No idea. I was feeling around, seeing if Blindness was going to be watchable (pun?), then got all excited about Appaloosa, and suddenly, bam, there I was finding that beautiful and perfect line (only other movie write-up line I’ve ever loved this much, almost, was a non-review somewhere did for The Astronaut’s Wife, where, instead of actually commenting on the movie, they re-presented a condensed/mocked-up form of the script, which exaggerated all the weaknesses etc. It was beautiful and perfect, had Johnny Depp wearing a pink boa, I think, but even the day after I read it (years and years ago) I wasn’t able to find it again).
I’m there tomorrow night, Family Guy* territory. Reading stuff aloud. Maybe eating a cookie or two, answering questions. Here for more specific type of info.
Too, thanks to my students, I’m now hooked into Salad Fingers. Better late than never, I figure.
* which I’ve still yet to ever see an episode of — though I did accidentally tune in once, some Star Wars tribute/mockery stuff going on that looked pretty intelligent. fun, at least. if I knew it better, though, I could maybe snag some image of somebody reading stuff aloud there, use it here. but alas.
Though, to be honest, I don’t even think there’s links yet for just all of this:Right before Valentine’s Day 2009, I’m in Chicago for the AWP Conference. The panel I’m on: “Digi-Analog: Bringing Together Print, Online, and Alternative Delivery Methods for Literary Journals, led by JW Wang. You may know him from Juked.” Don’t which day that panel is yet. I think I said this earlier, but can do it better now: March 18-21, 2009, it’s FC2’s annual Writers on the Edge. This year in Ceurnevaca. Not sure if I’m released yet to post the workshop descripts for the other writers doing this, but I’ll post mine anyway:
ANAEROBICIZE YOUR PROSE
So one argument and I don’t necessarily disbelieve it is that punctuation is just a parasite that all it is is the side effect of writing words down in these lines that it’s just a clumsy visual approximation of the natural rhythms of speech that in prose fiction are pretty much exactly what’s supposed to lull the reader into a state where the story can work or or a better way to say it maybe is that that unbroken patter and burble and spike of words is what transports the reader not off the page but into it face first ankle deep and evermore. But yeah, sometimes a comma sure is nice, right? Here we’ll talk about this, both in terse, nervous, over-punctuated sentences we try to laugh off and in long unbroken fragments that wander and forget themselves and then find each other in surprising ways. And we’ll do some writing as well. And never stop
Over at Internet Review of Science Fiction. A close read by JG Stinson. Very cool. So glad that book’s still reaching people.
Too, The Bat Segundo Show may not be going away after all. It’s one of the main places I go for podcast happiness.
A TG Sheppard line*, yeah. That and Elvis’s “Kentucky Rain“** make up a whole eight or ten month block of my . . . not childhood, but that’s when I listened to them most. ‘Life,’ I guess. Which is pretty much the complete opposite of the story just out here:
An interview and a Demon Theory review in there too. And, yep, it’s been on the shelves for a bit already, but I’m just seeing it anyway.
Who knew, yeah? Looks like it’s out loud now, anyway, here, and here, etc. And no, no clue how or if the footnotes were handled, or if, when they were or weren’t handled, it was as endnotes that they were or weren’t handled (that is, if the audio’s working off the paperback or cloth version). Was so tempted to footnote that sentence right there too*. Anyway, maybe this is cool. Looking forward to giving it a listen.
1. Just got a story, “Lonegan’s Luck,” accepted by New Genre. Like most stories if you peel them back far enough, this one, too, is a zombie western. Nearly forty pages of it.
2. Doomsday opens tomorrow. Very excited. Looks like all the elements I look for in high-calibre, life-altering cinema, they’re here. Which is to say that if Tina Turner waltzes on, starts singing, that’ll only make things twice as good. Too, cool that Rhona Mitra’s in it. She was great in The Life of David Gale (which I thought deserved four stars from Ebert, not the zero he gave it), and excellenter than ever in Highwaymen. I would remember her from Skinwalkers too, except I got to that five minutes late, couldn’t figure out what was or wasn’t happening (except that, yes, there would be wolves), so I slipped catlike into some other movie. Looks like she’s soon to be in the next installment of Underworld, too. All kinds of horror goodness. But that’s a redundant thing to say; horror is goodness.