Just a couple links

As opposed to a ‘couple-three’ links, yeah. Which I’ve really always loved saying, but hated hearing.

Anyway, was digging through about 22,000 emails, and unearthed a couple of links I’d meant to post in here, like this:

  • the illustration for that “Raphael” story. only one even half as cool’s the one Cemetery Dance (also) had done for that “Father, Son, Holy Rabbit”-one. but of course too I’m all romantically attached to my first-ever illustration, way back in Blood & Aphorisms (before it became “B&A”). a couple of large-size nervous pencil jobs of a guy with needles, for “Carbon.”
  • and, a page from that Homeground I contributed too, my “Hueco” term. too, I’m pretty sure the first run of Homeground’s history already, but of course there’ll be just printings and printings.
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    I Won’t Be Back : What T3 Could Have Been

    Third installments of a franchise the audience is in love with are very difficult to pull off. Nobody says Alien3 or Return of the Jedi or the third Scream are their favorites of the series, right? Even Godfather III, as good as it might be, is overshadowed by the first two. Granted, by the third installment, the success of the original and its sequel have given this latest incarnation a serious budget to work with, and all the marketing is in place, and some of the principal actors are probably even still signed on, but—for this sequel to the sequel to capture instead of divide the audience, it has to walk such a tightrope of formula and originality; it has to do what the original did and find a way of doing it which isn’t tired. This is why the two follow-ups to The Matrix, while pretty brilliant in their own right, at all levels—story continuity, effects, series escalation—still paled in comparison to the original. What The Matrix did, which just blew the audience away, was show how this reality we’d bought into was a construct. The next two installments could no longer surprise us with that, but instead had to assume it, and try to pull the carpet out in some other, more subtle way. In fact, the only ‘third’ that might have done for the audience what the original did was Friday the 13th’s, the one where Jason got his mask. Which Terminator 3, following the unapologetic slashers Terminator and Terminator 2 were, might should have paid a little attention to*. But yeah, I know: without James Cameron’s story sense, that is, with him saying the story was already told, what else could have happened, right? I mean, Terminator 3: The Rise of the Machines, what it is essentially is an extension of everything Cameron laid down in the first two installments. So how could it have gone wrong?

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    The Road, the Pulitzer

    “In a great turnaround, upstart Cormac McCarthy’s novel The Road, billed as something of an homage to The Omega Man‘s Charlton Heston, whom McCarthy once did stunt-work for, but owing more probably to Walter Miller, Jr.’s A Canticle for Liebowitz, managed to steal the 2007 Pulitzer for fiction from — “

    Okay, sorry. Just figured out that any book I put in there’s either going to be insulting that book or trying to pull down The Road. Neither of which I want to do. And putting Demon Theory there’d be almost as cheap as just mentioning it here.

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    Broadcastaway

    pic

    I’m no expert, but this seems pretty cool to me: a reading I did a month or so ago, all cut up into little flash bits, with an interview too. Click the pic below to hit it, or the arrow-thing to listen.

    [audio:http://demontheory.net/wp-admin/excl/stephen_graham_jones_03-01-07.mp3]

    [ this is me listening to the intro, I think. or who knows what I’m doing ]

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    Five Most Intense Reads

    Which, I’m finding, aren’t at all the same as my five favorite books. Ridiculous, yes? Wish I had some fix for that, or at least an explanation, or suspicion. I mean, it’s kind of presupposing some major disconnect between intensity and . . . I don’t know: appreciation? Revisitability? Not some Pirsig-ish ‘quality,’ I don’t think. But who knows. Anyway, today, were I picking my five favorite-ever books, they’d look something like this:

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    A Cake Made of Rats

    This has to be the oldest news around, but’s new to me anyway: watching “The Women of Candy Snatchers” featurette on the Candy Snatchers DVD, and Tiffany Bowling kind of asides that she was in that old series “The New People,” which she says is Lost, now. So, checked IMDb, and yep:

    A group of young people crash land on a deserted island that was a never used atomic bomb test site. With the world thinking that they were all killed, “The New People” set out to form a civilization free from the problems and mistakes that their parents made, a task that soon becomes much more challenging than they had anticipated.

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