Category: movies/tv

This has to be the oldest news around, but’s new to me anyway: watching “The Women of Candy Snatchers” featurette on the Candy Snatchers DVD, and Tiffany Bowling kind of asides that she was in that old series “The New People,” which she says is Lost, now. So, checked IMDb, and yep:

A group of young people crash land on a deserted island that was a never used atomic bomb test site. With the world thinking that they were all killed, “The New Peo

• Old MadTV & Saw fun
• French X-Files
• If I’d had the clicks to make a trailer for Demon Theory, it would have looked like the child of this and this and definitely this. But there’d have been a good deal of this as well, of course.
• And, talking DT, this, cribbed (it took about fifty toggles back and forth) from that Going to Pieces:
  

  “If you try to make a horror film where somebody says ‘I don’t know what that sound was but I’ll go investigate,

or, more particularly, from DEAD SILENCE: going to the Guignol ‘doll’ Theater on Lost Lake in a town called Raven’s Fain when there’s a killer on the loose who eats living tongues is pretty much just asking for trouble. This isn’t to say DEAD SILENCE isn’t pretty surprisingly good either, though. I’m not really one for doll-movies — they all kind of smack of Chucky, and I was tired of him instantly (though, just because I&#…

• if anybody’s carrying a bag of groceries, it won’t have French bread in it
• nobody will flick playing cards into and around a trashcan or hat
• if the characters need to hack into somebody’s computer, the password will be unguessable
• if there’s some big and final showdown on a boat, then it won’t be finally decided with a flare gun
• if somebody cuts their wrists in the bathtub, there won’t be a lit candle there
• if there’s a detective of a

Benson: only the good die young
Cheers: have a good life
“You oughtta know”: grammies
bball–23 sick and scoring 55 or whatever
challenger (jfk/towers)
rockford: 50 people tell you you’re drink, maybe you oughtta lie down
uncle jesse: only one way to go down a hill. STRAIGHT down.
tasha yar: going back
chrissy to jack: save air in elevator, one nostril

pop-up video: bob seger, Screentime
seeing myself on tv: scott, rabies

also: ROCKFORD wins best op…

Everytime I search Amazon, I always end up falling into this maze of lists, each opening to more and more. And I find some cool stuff in there, thought I’d take a stab at a couple myself.

• Slasher 101
• Horror-Comedy

And yeah, that Slasher 101 one really should be a ‘guide,’ but I clicked on making one of those and, man, they’re set up to let somebody write a real and true article. Which, for someone addicted to lists, isn’t nearly as fun. Granted, you d…

So a while back a friend i was borrowing DVDs from asked what horror he might need to have a somewhat complete collection. I told him I’d pen him a list sooner or later. Only just now remembering this. And, yeah, two disclaimers before I even start here: 1) I’m surely forgetting as many as I’m remembering, and 2) my tastes of course kind of dictate what I remember, what I don’t. And I love slashers. Too, I started out trying to have just ten movies per decade…

Been trying to figure out what scenes/images from horror movies have become so indelibly imprinted on pop-culture that even people who don’t watch horror kind of have to know them, or at least of them. Which is to say I can’t just pick the coolest or best horror clips–the ones that imprinted me once upon a time. I mean, that’d be Freddy’s long arms from A NIGHTMARE ON ELM STREET, kid-Jason at the end of FRIDAY THE 13th, Gage cutting grandpa’…

First, as this is just all about the end of THE DESCENT, then, yep, it’s just chock full of spoilers. So stop here if:

• you’ve not seen it
• you’re going to see it
• and you don’t like to know how a thing’s going to end

Not meaning to say THE DESCENT has a gimmick-ending or anything — we don’t change perspective and slowly become aware that these are just action figures in a toy bin. But the two endings it does have, in being at odds with each oth…

And I think I can say ‘cineplex’ there — none of these are really indie, or at least didn’t end up that way. And, before I even list them, the caveats: I’ve yet to catch BORAT or PAN’S LABYRINTH or APOCALYPTO or INLAND EMPIRE or CHILDREN OF MEN or THE FOUNTAIN or the BLACK CHRISTMAS remake, all of which’d be likely contenders, I suspect (and I generally duck all the snoozers, like PRAIRIE HOME COMPANION, etc (‘etc’ here …