Category: movies/tv

Benson: only the good die young
Cheers: have a good life
“You oughtta know”: grammies
bball–23 sick and scoring 55 or whatever
challenger (jfk/towers)
rockford: 50 people tell you you’re drink, maybe you oughtta lie down
uncle jesse: only one way to go down a hill. STRAIGHT down.
tasha yar: going back
chrissy to jack: save air in elevator, one nostril

pop-up video: bob seger, Screentime
seeing myself on tv: scott, rabies

also: ROCKFORD wins best op…

Everytime I search Amazon, I always end up falling into this maze of lists, each opening to more and more. And I find some cool stuff in there, thought I’d take a stab at a couple myself.

• Slasher 101
• Horror-Comedy

And yeah, that Slasher 101 one really should be a ‘guide,’ but I clicked on making one of those and, man, they’re set up to let somebody write a real and true article. Which, for someone addicted to lists, isn’t nearly as fun. Granted, you d…

So a while back a friend i was borrowing DVDs from asked what horror he might need to have a somewhat complete collection. I told him I’d pen him a list sooner or later. Only just now remembering this. And, yeah, two disclaimers before I even start here: 1) I’m surely forgetting as many as I’m remembering, and 2) my tastes of course kind of dictate what I remember, what I don’t. And I love slashers. Too, I started out trying to have just ten movies per decade…

Been trying to figure out what scenes/images from horror movies have become so indelibly imprinted on pop-culture that even people who don’t watch horror kind of have to know them, or at least of them. Which is to say I can’t just pick the coolest or best horror clips–the ones that imprinted me once upon a time. I mean, that’d be Freddy’s long arms from A NIGHTMARE ON ELM STREET, kid-Jason at the end of FRIDAY THE 13th, Gage cutting grandpa’…

First, as this is just all about the end of THE DESCENT, then, yep, it’s just chock full of spoilers. So stop here if:

• you’ve not seen it
• you’re going to see it
• and you don’t like to know how a thing’s going to end

Not meaning to say THE DESCENT has a gimmick-ending or anything — we don’t change perspective and slowly become aware that these are just action figures in a toy bin. But the two endings it does have, in being at odds with each oth…

And I think I can say ‘cineplex’ there — none of these are really indie, or at least didn’t end up that way. And, before I even list them, the caveats: I’ve yet to catch BORAT or PAN’S LABYRINTH or APOCALYPTO or INLAND EMPIRE or CHILDREN OF MEN or THE FOUNTAIN or the BLACK CHRISTMAS remake, all of which’d be likely contenders, I suspect (and I generally duck all the snoozers, like PRAIRIE HOME COMPANION, etc (‘etc’ here …

as always, spoilers abound.¹

Man, mix even parts Adaptation and The Wonder Boys, let Will Ferrell shake it, and you’ve got something a lot like Stranger than Fiction. And of course, as all movies about writers of whatever kind have to end, Stranger than Fiction pulls the same trick those two do. Or, that Get Shorty does. So that, when Ebert says that the ending is a compromise, I don’t know: I’m kind of inclined to disagree. Or disinclined to agree, whichever …

I don’t have nearly enough time to devote to this now — I’m in the early stages of a study that hopes to finally conclude whether the Bulletboy’s old “Smooth Up In Ya'” song¹ (1989) really had hidden sexual overtones or not (next up: Warrant’s “Cherry Pie”) — but I feel I’ve got to say something anyway. And, I’d meant to frame this in some “Open Letter to Hollywood” or something, alon…

Looks like, in pre-celebration for TURISTAS¹, Demon Theory pulled two reviews this week:

• 
&

• 

Cool places each, though the reviews are kind of opposites of each other.

Anyway, it’s none other than Mike Bracken on the Toxic Universe one. Which, I mean — for my first novel, I remember telling somebody that it would only be complete when I knew that Gerald Vizenor had read it. And then, bam, it was suddenly complete before it was even publis…

and his freezer’s now spilling over with elk. which is to say dancing days are here again, all that.

and, because all this can’t seem to organize itself any other way, a list:

• That 32 Poems (Fall/Winter 4.2) with my story “Lunch” is out and about now.
• Just had “The Sadness of Two People Meeting in a Bar” accepted at Red Rock Review.
• That end of November reading I was doing at Texas Tech has now been moved, tentatively, to March 1, 2007.
• WORLD W