Category: movies/tv

well, okay, Pinhead’s maybe not a true and classic slasher. but he’s got the look, anyway, and has been pretty vital to this project we call horror. was going to synch some music up with this, but have no clue how, without going the Flash-route. anyway, the bigger version’s here.

as to why I killed two hours of my afternoon making this:

• it’s lead-in for a Horror-IQ type quiz I’ll be posting here, as soon as I get a copy of Demon Theory, so I can track d

Just because I don’t write reviews anymore. Just because they seem to use the same part of my brain I use to write. Anyway, The Omen: a remake in a year of remakes, yeah. Not quite as ‘reinterpretive’ as When a Stranger Calls and not quite as ‘faithful’ as Psycho, but, too, I’m not yet confident it’s the ‘improvement’ The Hills Have Eyes might have been (not that Craven messed up or was hamstrung by budget or any of that, …

1. Another BLEED INTO ME review. Montana Magazine. Here.
2. This, from up front in Amy Taubin’s BFI book on TAXI DRIVER:

Really, it is not violence at all which is the ‘point’ of the western movie, but a certain image of man, a style, which expresses itself most clearly in violence. Watch a child with his toy guns and you will see: what most interests him is not (as we so much fear) the fantasy of hurting others, but to work out how a man might look when he shoots or is shot

• just/finally found and watched that SCREAM & SCREAM AGAIN slasher documentary. excellent stuff. wish I’d had it for DEMON THEORY. would have saved a lot of legwork
• just finding out about THE REMAKE, somehow. here. looks excellent. and, I’m sure it’s on IMDb somewhere, but I can’t seem to find it.
• talking YouTube, too (where that last link shoots you), I snagged a lot of clips/vids, pasted them up here (MySpace, yeah–they just seem to kee

Maybe it’s this way for everybody, I don’t know. Sometimes I’ll stumble across something in a book, anyway, and it’ll just burrow right to the core of me and never leaves. I say sometimes, but, I suppose, I’m only about to list three. And, it’s not that they’re said all that perfect or anything, it’s more like they’re just obviously true. Trick was, I’d just never thought about them:

• ‘Everybody has a ce

• Excited that the Savoj Zizek DVD’s going to be available soon. He’s my PKD, since PKD went on extended hiatus. Click on the poster to get to the place
• Check out the Frank Miller cover for Gravity’s Rainbow. Pretty excellent (thanks to Rob for the heads-up). Click here. (would paste it here, but don’t want to deny them their due clicks [hey, somebody just wrote, saying that link was bad, or giving them problems, all that, so I snagged the cover, stuffed i

No excuse for it, I’m sure, but somehow I missed BEWITCHED when it was at the theater. I mean, I loved the series–it’s kind of been instrumental to my whole identity-formation-thing (it and I DREAM OF JEANNIE)–but had doubts they’d be able to cast an Esmerelda as good as the original. if I’m getting the name wrong, I’m talking about the mom-in-law there. Anyway, just got this in my inbox, from a friend: it’s a still from BEWI…

Hysteria Lives has a clip of The Burning, that cool kill-scene on the raft. Just click here, scroll down a bit.

Too, Cheesebrothers has an audio snippet of that excellent song from the end of Don’t Go Into the Woods: go there (mp3 link’s down at the bottom, after the rvw).…

I don’t write essays, but, anyway, been meaning to for a couple of years now. planned subject: all the fake throwing up in movies. it’s so insulting to me when the character leans over and hurls up some obvious mouthful of soup or something. their sides hardly contracting in dry heaves, none of that. maybe it’s just that throwing up was the one sport I could have gone olympic in, I don’t know.

won’t be writing that essay now, however, as, finally, …