Just wrapped the extras and okayed the cover and all the rest for the trade paperback of Mongrels, in January. So, seems a good time to stack all these in one place—way too tall a stack, I know. But it’s been a busy last few weeks, so I’ve just been letting them build and build.
But, first, in case you’re just now tuning here, here’s all what came before, which rhymes nicely with:
These are the two I can watch for pretty much ever, I suspect:
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Looks like this is the second Stanley Hotel post I’ve done here (the first). This time it’s for teaching, though. Also? Every single place I go on CU campus—bulletin boards, monitors, displays—I’m looking back at me:
This is that click.
And, for the media fun, here it is on the front page of Boulder’s Daily Camera, here‘s the cover story in Westword, and here‘s some video and a write-up from 9News in Denver. I would say click “her…
Racconti is putting it out November 10th or so, here. They’re the publisher with the dead bug:
Pretty cool group of people, near as I can tell. And, as the title-in-English loses its punch in Italian, they dialed back to the collection’s original title, “The Meat Tree.”
Here‘s their page on it, with the full jacket, but here’s just the front of it. Pretty cool stuff:
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Thanks to Jim Kuhn on fb for connecting to this perfect, wonderful gif:
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Waylon’s “Luchenbach, Texas” was, I’m pretty sure, the first song I ever learned all the words to. Or, most of the words. I never knew “marquee” until years and years later. Somewhere around high school, I’d guess, if not undergrad. When I was five, though, and then when I was ten, and fifteen, it was always the “marky” lights. I explained it to myself with magic markers—markers would be “marky,” woul…
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First, I audio’d this, which made it sometimes confusing. Being an oral history, which is to say, “block of pertinent quote” led into by attribution, all read here by and in the same voice, I kept having to tap back twenty seconds, to hear again WHO I was listening to. Maybe ten hours in, though, I got into the lope of it, and all was great. Also, audio’ing it was by far the quickest way to get this into my head. And I verymuch wanted it all, faster and faster…
Was so cool A) to get to intro it, and B) to get to SEE it on the big screen. I mean, was cool just even seeing it on the wall (I’m like Cher in Colorado, yes: just one name):
[ That snap’s by Christopher Rosales ]
And, yeah, that poster: I guess I see what people are talking about—that Attack the Block owes more than a little to Wolfen.
As for why this was also cool: the werewolves in Mongrels, they’re modeled on the wolfen. The Wolfen may have been the first horror nove…
Y’know? That last one of these, number twenty, I kind of ended it in a “so long farewell been fun see ya later”-way. But I was all mopey-goodbye way too early, turns out. I may keep doing these until the paperback hits in January, I mean. October’s for werewolves after all.
Anyway/first, here’s the wolves that came before, which I rhymetastically call:
is the NYT bestselling author of 30 or so books, +350 stories, some comic books, and all this stuff here. He lives in Boulder, Colorado, and has a few broken-down old trucks, one PhD, and way too many boots. More